It was the special genius of 18th and 19th C. craftsmen to make ordinary objects
extraordinary.  Utilitarian furnishings like small looking glasses and watchholders were
carved and painted.  Color and design turned pantries and table top boxes into decoration.  And early lighting took on a gallery of  forms limited only by the gifts of the individual 
artisan.  We do our best to bring you the rarest and most distinctive accessories in the 
hope that they will brighten your home as they did other homes centuries ago.   

Halsey Munson Americana
2707 Twin Oaks Court
Decatur, Illinois  62526
Phone:  217-972-4645

All rights reserved.

[email protected]


18th C. Walnut Slide Lide Spice Box 

Extremely good curly walnut dovetailed slide lid spice box with a raised panel lid. The interior is divided into six compartments. Figuring on all sides of the box. No breaks or repairs except a single helper nail in the bottom. The rest are forged iron sprigs and the box is almost certainly 18th C.  9” x  6” x 2¼”. Shrinkage split in the one-board base.

19th C. Pantry in Verdigris Green

Ca. 1850-1875 pantry box in a striking shade of verdigris green that matches almost perfectly the honest weathered surface of a really good 19th C. weathervane. 9½” with several helper nails with irregular heads and the painted initials “OH” on the bottom. 


Small Mulberry Pantry Box

Pure 19th C. 6” pantry box in undisturbed crusty mulberry paint so deeply oxidized it looks almost black. Two old lid cracks, both tight. Iron nails and wooden shoemaker’s pegs and not one missing. An extremely solid box. I love the way this one looks on a stack.  


Painted and Signed Oval Pantry Box

Excellent oval three-finger pantry box from the first half of the 1800s. Two bevel-edged swallowtail fingers on the base, one short finger on the lid. Copper nails. The initials “P n B” are deeply incised into the lid. The unusual sea foam green paint is unquestionably original. 8” x 5 3/8”. The box has two small holes just beyond the tops of the fingers, that suggest its owner may have used it as a thread box and fed the strands out through the holes—a colonial archetype for the Shaker sewing box.  


Late 19th C. Carved Apple Tray 

Elegant apple or fruit tray carved from a single block of maple. The tray has canted sides, arched ends that are thicker than the sides, and a slightly domed base carved like the bottom of a kitten head basket. Probably the late 1800s, possibly early 1900s. 12”L x 8”W. This is the only apple tray of this sort I’ve seen. 


Superb Paint-Decorated 
Pennsylvania Spice Box
One of the best paint-decorated boxes I’ve had in quite a while. Poplar and walnut dovetailed case with poplar interior dividers that were reconfigured within a few years of when it was made. Original dry red paint with black decoration on all sides as well as corner spandrels and dot elements on the lid. Paint retention is virtually 100%. Extended one-board base with molded edges and the distinctive feature of seven carved finger notches on the slide lid. Three tiny brads added to reinforce each side rail. Ca. 1810-1820. 12”L x 8”W x 4”H. A gem!  

Unusual Freehand Watercolor Theorem

Nicely rendered 19th C. watercolor version of the classic still life elements—assorted fruits in an earthenware bowl resting on a rust-colored plinth. Wove paper with minor foxing on the lower edge that doesn’t intrude into the mellow tones of the painting. Original deeply ogee-carved frame with gilt surface and an applied bead molding with pinned metal bosses at the corners. Surface chipping has been retouched with yellow paint—a folky solution that makes me smile. 14 ¾” x 11 ¾”.  


18th C. Bowl in Original Paint

Fine late 18th C. maple food bowl in original oxidized red paint, almost identical to the surface illustrated on p. 34 of Steve Powers book on North American Burl Treen. Ca. 1780-1800 with sharply sloping sides up to a thinned rim and terminating below in a flat jack-planed base. Two ancient tight rim fissures. New England. 8½” x 8⅞” x 2⅞”H.

Rare George & Martha Washington Chalkware Portraits 
Extremely rare pair of chalkware shadowbox portraits of George and Martha Washington in original polychrome paint. Following his death, images of George became enormously popular. As his legend grew, portraits of Washington appeared in oil, reversed on glass and carved in wood. This, however, is the only example of our first president and his wife I’ve ever seen created as glass enclosed high relief chalkware images. The glass is original—wavy and with imperfections—and glazed into the rim of each chalkware box. I’ve seen only one other example of this form and I suspect they were created in Pennsylvania in the first half of the 1800s. Ex-David Good.   $1,575

Rare 18th C. Japanned Bible Box
Mid-18th C. English pine bible box in original japanned surface with polychrome figural decoration. This decorative style started, not surprisingly, in Japan in the 17th C., done there painstakingly with multiple coats of tinted lacquers. The style traveled to England in the early 18th C. (then to Boston and New York in the Mid-18th C). Japanning was used on everything from papier mache to highboys, usually in Oriental themes. But this is the first japanned bible box I’ve ever seen on these shores. Boxes like this were also used to store the periwigs that were obligatory for refined men and women of the period. Apparently, the box is all original with the possible exception of the lock which may be an early 19th C. replacement. Forged iron hinges with rosehead nails; the box is constructed with T-head nails. The decoration is definitely the work of a non-professional, perhaps a young woman educated in one of the seminaries, and the tableau on the lid appears to be a courting scene. 15½ x 10½ x 6¼”. $875

Four 19th C. R.C. Remmey
Stoneware Tavern Mugs

Rare set of four ca. 1850-1860 barrel form pint tavern mugs, attributed to Richard Clinton Remmey of Philadelphia, the last of the legendary Remmey family of potters. Cobalt decorated, with a cobalt infilled inscription to a patron known as “Mc C.” Save for one in-the-making salt drip, all four are quite literally perfect.


Ca. 1810-1840 Painted 
Pennsylvania Knife Tray
Excellent early 19th C. cutlery tray in untouched condition. Canted white pine walls with rabbeted corners and deeply scrolled rims on all sides, meticulous square nail construction on a projecting base, all in absolutely original deeply worn salmon-red wash. The inner surfaces show the abrasion of decades of metal utensils. I caution any who are looking for pristine paint (eg. early 20th C. repaint) that this is not for you. This is the real thing and the surface is an aged, scrubbed red wash that fades from base to rim like a sunset. 14½” x 11”. I don’t think country treen gets much better than this. Ex-Dr. James Sutherland collection
A Box That Really is for Documents
It’s become an unfortunate habit to refer to small antique wooden boxes as “document” boxes when many if not most are too small in fact to have held documents. This one, I suspect, at 15” long and 6” deep actually deserves the name. It is signed twice in graphite on the underside of the lid, once by what appears to be Laura Jackman and dated 1822 in that same hand, and again by Mary Jane Jackman in a more carefully formed script. They may have been Mother and Daughter. Basswood, square nails, original snipe hinges, original dry red paint, subtle bevel on the edge of the lid. No cracks or splits. It was made with a fine wire catch, that was lost early enough in its life for the leather replacement to have hardened over the years and eroded at one edge. One nail at the lower edge of the back is missing. New England, 1822. Nice to see the real thing. $675.
Small Early 19th C. Wallpaper Box

Very good dome topped wallpaper box just 7” long. Marbleized paper over pine, with original iron latch, plate, lock and brass lid boss. Faceplate is attached with small rosehead nails, one of which at the lower right corner has lost its head. Paper coverage on the exterior is an amazing 90+%. The blue polkadotted interior paper is almost perfect. The matching cloth hinge may be an early replacement. 7”L x 3¼”H x 4”D. Ca. 1810-1820. A sweetheart! 


Early 1800s Combination Lock 
Tobacco Box
Classic early 19th C. brass combination lock tobacco box with a super early pocket-polished surface. British, possibly for American export, ca. 1820-1830. Tobacco was pricey in the early 19th C. and the popular lore is that tobacco boxes with combination locks were produced, mostly in Birmingham, to keep servants from dipping into their employer’s nose candy. With the right combination, the top opens to a tin-lined interior. Beautifully made.

​Intricate Sewn and Embroidered 
Table Mat
Intricate 19th C. hexagonal penny rug. Thirty 2-layer appliques surrounding a hexagonal black wool reserve. In the center a 6-pointed raised starflower embroidered in wool yarn. A border of scalloped felt tongues. The sophistication of this rug lies in its subtleties. The stitching on the “pennies” is incredibly fine—averaging 15-16 stitches per inch, all of it by hand because the inner elements are all scalloped. The fabrics weren’t purchased solely for this rug because they range from wool—felted and woven—to broadcloth, to cotton to worsteds of various weights and textures. Mounted width is 31” x 31”. The table mat itself is 26” x 26.” One of the best table mats I’ve ever owned.
Flawless 19th C. Carolina Stoneware Jar

16½” tall 19th C. 5 gallon North Carolina stoneware jar with applied lug handles and rolled rim in green alkaline glaze with blue-dripped shoulders and base. The numeral 5 is impressed under one handle. Virtually perfect condition with no cracks, chips or repairs. Purchased from Liz Mankin, Kent, CT in 1990.


Rare American Courting Mirror
An extremely rare paint-decorated 1790-1810 American courting mirror in a federal form that started about 1785—two panels with the upper reverse painted and the lower a sheet of thin mirror plate. Instead of the reverse painted glass panels on typical European courting glasses, the frame members on this mirror are in the original salmon paint and decorated with flower heads and sprays at all four corners. Reverse on glass upper panel is engagingly simple and all-original. Unlike most courting mirrors, this one retains its original dovetailed box, into which it’s been wood pinned from both sides. A note of interest: The size of courting mirrors imported from northern Europe and China averaged 16½” x 11”. When American cabinetmakers began to produce their own courting mirrors toward the end of the 18th C., they were significantly smaller. This looking glass is 7⅞” X 12½”. An all but unique painted courting mirror, probably made in New York State.


18th C. Pewter Vinaigrette

I can’t absolutely guarantee that this piece is unique, but it’s the only one I can find any record of. In a pewter whose composition considerably pre-dates the Britannia hard metal period, it’s an 18th C. vinaigrette in the form of a working miniature foot warmer whose overhanging top is through-cut with four hearts surrounding a central vent hole. The front has a sliding door that rises for access to the interior. 1½” square x 1¼” high. Pieces like this were often made as love tokens, sometimes as presents for children. But I think that this was a gift for a young woman, to be filled with potpourri to scent her room. Purchased in 2004 from the leading dealer in rare American pewter.